Mo Willems Seriously Silly Exhibit at the High Museum of Art: Let the Planning Begin

Now through January 10, 2016 you can see an incredible exhibit of artwork by Mo Willems at the High Museum in Atlanta, GA.  As soon as I saw that the exhibit was coming last spring, I shared it with our art teacher, Rita Foretich.  We immediately began talking about a collaborative project and field trip.  She applied for a grant and both of us began thinking about which grade we might target and which standards we could weave in.

On July 11, the High offered an educators day which allowed educators and one guest to get into the museum for free.  This was a perfect time for me to see the exhibit without 100 elementary students and also to start thinking more about our project.  Thank goodness my wife went along so that I could take a moment to see the exhibit without chasing a 3 and 5 year old around.

As soon as we arrived in the parking deck at the High, we began seeing the Pigeon.  He was even in the elevator to the ground level.

And on the revolving doors at the entrance.

Before you even get to the main exhibit, there are some teasers along the way and some great photo opportunities.

You really have to keep your eyes open because there are characters and illustrations hiding everywhere.  Even this aspect could be woven into a field trip.  The museum provides its own scavenger hunt, but I think it would be fun for kids to write down all of the characters that they find along the way or count the number of pigeons they find and write down the locations that they found them in.  Of course, to recognize all of the characters, the kids would need to read all of Mo’s stand alone books and at least one of each of the series books.

The actual exhibit is grouped by series as well as stand alone books.

I loved the wall of ice ream where the Elephant and Piggie illustrations are found.  There’s even a pigeon hiding on this wall just like the end papers of the books.

One of the things that I immediately noticed was the pairs of illustrations that showed a sketch by Mo Willems followed by the final drawing before color was added.  This would be a great process to replicate with students in our project by having them create first, second, ….drafts of their art before drawing the final art.

I also noticed the illustrations from Knuffle Bunny.  The drawings were done without the digital photographs.  I could see this being incorporated into a project on mixed media and layering drawing and digital photographs together.  Having this image to show students can give them an idea of how to imagine the digital photograph in their illustration before adding it.

Of course, the thing that I love most about Mo Willems is how simple his artwork is without being oversimplified.  In Elephant and Piggie, for example, there is very little on the page other than speech bubbles and the characters.  However, each line drawn around the characters, each raised eyebrow, upward looking eye, outstretched arm, etc gives life to the character and reveals the thoughts, emotions, and actions of the characters.  To me, there is great potential in a project around this aspect of Mo Willems.  I could see us studying his artwork very carefully for all of the subtle details that allow us to know a character’s emotions and actions and implement those same ideas into our own characters, stories, or new versions of Mo’s stories.  The exhibit is filled with numerous illustrations to show these details up close.

The exhibit continues in the Greene Family Learning Gallery where you can learn the steps to draw the Pigeon as well as practice drawing him with different emotions.  I snapped a picture of the directions because I plan to incorporate this into either a center in the library or a lesson in our project.

In the learning gallery as well as the exhibit, you can pick up a scavenger hunt to do while you are in the exhibit, but this scavenger hunt could also be used as a way to look closely at the whole body of Mo’s work.

I loved that the gallery included a bus driven by the Pigeon so that you could take a fun picture like this one.

As soon as we get back to school, I’m going to debrief my experience with the art teacher.  We’ll start looking at our own standards as well as the standards of other grade levels and narrow down to which grades, what project, and which standards we will weave together.

Collaborating brings together the expertise of everyone involved.  I love that I can bring my knowledge and observations as a reader and pair it with the art teacher’s expertise in art terminology and technique.  When we put that together with the interests of the kids and the expertise of the grade level teachers, we have a crowdsourced project that is fun, enriching, authentic, supported, and driven.  I can’t wait to see where this project goes this year.

Think about who you could collaborate within your school.  If you’ve never done a project with the art teacher, I recommend it.  I love that a project can flow from the library to the art room to the classroom and back.  Even if you don’t have a big museum exhibit like this near your school, there are endless possibilities when educators work together with students.

What Fairy Gardens Taught Me About Makerspaces, Teaching, and Learning

Entertaining a 5 year old and 3 year old during the summer is a big job.  I love being a parent, and it has made me grow so much as an educator.  Summertime brings many days of opportunities for adventures.  We get out of the house every single day and go somewhere whether it’s the botanical gardens, the local UGA campus, the local zoo,a movie, or the pool.  In between all of the fighting that happens between a brother and sister, there is a lot of curiosity about the world, and I love watching this unfold during the summer.

Recently, Athens held its big summer music festival, Athfest.  A part of this festival is an artist market, and my kids loved seeing what was in each tent.  Their attention was most drawn to a booth of fairy gardens.  These artists had created living pieces of art inside picture frames and jars.  They had made every single item in the gardens.  Building on my kids’ curiosity of this art, I decided we would make fairy gardens one day.  The only instructions we had were the memories of what we had seen at Athfest.  I intentionally did not look up examples on the computer because this was not a copying activity.  I wanted this to be full of investigation, dreaming, tinkering, and creating.  In fact, I really love not planning out every single detail of what we do because I can just see where the curiosity takes us.

We started by looking around our house for fairy homes.  We looked at several pickle and jelly jars as well as empty flower pots.  Alora and Anderson each chose their favorite.

Then, we had an outing to the local hobby and craft store to find trinkets for the fairies.  I didn’t have a specific budget in mind, but I like a good bargain, so I didn’t plan to spend very much.  We got a basket and each child got to put things into the basket as possibilities.  There’s not really a “fairy garden” section in the store so you have to really wander around with a fairy eye and think about what a fairy might like in his or her house.  We spent a good amount of time in the dollhouse section of the store.  Finally we made our way to the clearance section which was a hodge podge of all kinds of stuff.  We really had to dig here.  After the basket had a good amount of stuff, I got out my phone calculator and started looking through the basket.  We sorted piles of “definitely want”, “kind of want”, and “don’t want”.  As Alora and Anderson were making those decisions, we talked about price and also how many items were in each pack.  They knew they would be sharing so they were more interested in packs that had multiple items in them that could be split up.  After agreeing on an amount, we visited the register, chatted with the cashier about fairy gardens, and paid our bill.

Back home, we took to the outdoors with a basket.  We did a nature walk and collected free items for our gardens.  On our walk, we talked about what to touch and what not to touch.  We collected sticks, rocks, pine cones, moss, and leaves.  Finally, we prepped our fairy gardens.  Again, we didn’t specifically look up what we should put, but we talked a bit about the layers in the Earth and decided to make some layers in our gardens.  We filled the bottom with rocks.  We didn’t have any sand, but we noticed that there were some rocks along the sides of the house that had been broken down a lot by the water gushing out of the gutters.  We talked about the rock cycle and erosion while we shoveled up some of this sand and bits of rocks to make another layer.  Finally, we put a layer of dirt.

Back inside, we added some water to pack everything together a bit and then topped our containers off with some moss.  We spread out all of the items from our nature walk as well as all of our trinkets from the store.  They both started placing items into the gardens and making decisions about what the fairies would like the most.

When their construction was complete, we topped off each garden with a metal candle shade from our junk closet and placed all of the remaining items in a ziploc bag so that they could trade out things in the gardens when they wanted to.  The gardens went to each child’s room.  At bedtime, I went in Alora’s room and she was busy once again.  On her own, she had gotten a roll of tape and a ziploc bag.  The ziploc was on top of the metal shade and was securely taped on.  When I asked about it, she told me that if a fairy went inside she didn’t want it to get out.  Nevermind the gaping hole on the front of her flowerpot.  I loved how she was already extending what we had started.

It really wasn’t until that moment that I started reflecting on the whole experience: where we had been, where we could go, and what implications it had for my own teaching.

A Few Topics We Explored:

  • perspective through the eyes of a fairy
  • financial literacy through budgeting and decision making
  • speaking and listening
  • layers of the Earth
  • habitats
  • erosion and rock cycle
  • plant identification
  • problem solving
  • reusing
  • safety
  • art
  • creativity

A Few Potential Extensions:

  • reading fairy stories to learn more about fairy behaviors and needs
  • building upon Alora’s idea of a fairy trap.  We could use littlebits to make an alarm to alert us when a fairy is inside.
  • adding electronics and circuitry to our garden.  To give the appearance of a fairy or even to add some light for an existing fairy, we could use littlebits or leds with coin cell batteries.  This could lead to a whole exploration of circuits and electricity.
  • spending more time learning about terrariums and the types of plants that could live inside a jar.
  • storytelling based on our fairies and fairy gardens.

Some Takeaways

  • Some of the best learning experiences can happen when you don’t have every detail planned out. We had a goal, which was to build a fairy garden, but we didn’t lock ourselves into a series of steps.  While I love to plan, I think we often miss out on some incredible learning opportunities with students when we aren’t observing, pausing, listening, and reflecting.
  • Our library makerspaces are a place where these types of experiences can launch, but the space alone does not create the learning.  I add a few layers to our makerspace each year.  More stuff brings more possibilities.  However, I learned last year that you can’t just turn kids loose in the makerspace and expect that they are going to come out with an amazing project.  There’s a big inquiry piece that is amplified through conversations with an educator like the librarian.  Kids can come into the makerspace to dream, tinker, and create, but it is up to us to be observing, listening, reflecting, and inquiring to take the student learning to the next level.
  • When students are engaged through something that is of their own interests, multiple required standards can be woven in.  They may not happen on the timeline that comes from the district or state, but they can be woven in.  My struggle, just like many educators, is how to replicate this type of individual experience with a class of 25-30 students.  It can be done.  I believe it can, but it is very tricky.
  • I thought back to my experiences with Kelly Hocking, a kindergarten teacher at our school.  She can take just about any topic that most of the class is interested in and create a magical year long project that weaves in multiple standards, experiences, and projects.  The fairy garden could easily be that kind of project, but I’m not telling everyone to go out and make fairy gardens.  I think we need to listen to our students’ voices, find their interests, and somehow find connecting threads that allow us to create projects and experiences that honor those while still upholding the standards we are required to teach.

I know there is more here, but my brain is in summer mode and I’m still trying to entertain a 3 and 5 year old as I write.  I’m going to continue thinking on this.  If you have your own thoughts, ideas, extensions, takeaways, etc, please leave them in the comments.

Coming Soon from Peachtree Publishers: Lilliput by Sam Gayton

 

LilliputSummer is a time for recharging, reflecting, and reading! Each summer I find myself with a little extra time to take a look at my stack of books that are in my ever-growing to-be-read pile.  In May, I received a package from Peachtree Publishers. It was wrapped in an aged box with a book, hot chocolate, thimble, and a letter.  I was immediately drawn to the artwork on the cover of Lilliput, written by ‘Sam Gayton and illustrated by Alice Ratterree.

The cover is filled with many details of characters, events, and objects in the book.  This summer, as I found time to read the book, I often looked back at the cover and understood a little more about the illustration that had caught my attention from the very beginning.

Lilliput is the story of Lily, a Lilliputian, who was stolen away from her home by the famous Gulliver of Gulliver’s Travels. Lily is being held captive by Gulliver while he writes his book of his travels.  She is his proof that the land of Lilliput actually exists.  Lily hatches multiple escape plans to get back to her home, but she repeatedly gets caught and punished for her efforts.  Across the course of her escapes, Lily meets a cast of amazing characters:

  • Finn, a clock maker’s apprentice who is being held prisoner himself
  • Mr. Ozinda, a Spaniard with a famed Chocolate House
  • Swift, a bird caged within a clock
  • Mr. Plinker, an evil clock maker who designs clocks that torture or force people to spend most of their time working rather than having fun

There really is a character for everyone whether you love animals, evil villains, giants, spoiled bratty girls, clever boys, or fairies.  Throughout the book, you’ll find several steampunk illustrations by Alice Ratterree.  I love every one of them!

The book is divided into 3 parts: Escaping, Searching, and Leaving. Each chapter is fairly short, which I love.  Short chapters make me read a book so much faster.  I always think, “I can read one more chapter. It’s only a few pages.” Before I know it, I’m done with the book.  I find this a big selling point for reluctant readers as well.

Lilliput is filled with adventure. You’ll be cheering Lily on as she works with other characters in the book to get back to the place where she belongs.  You’ll find yourself clenching your toes as you read faster and faster to see if this plan is the plan that finally works.  You’ll want to get your own revenge on the evil Mr. Plinker and stinky giant Gulliver.

My favorite quote from the entire book was:

It made me think about all of the things in the world that have held me back and all I’ve done to work to get beyond those barriers. Lilliput will inspire readers to keep trying no matter what obstacles are standing in their way.  Just when you are at your point of giving up is the point where you need to keep trying the most.

I highly encourage you to check out Lilliput when it is released on August 1, 2015.  I can’t wait to recommend this title to all of the Barrow readers when we return to school.

You can learn more about Sam Gayton here.

You can learn more about Alice Ratterree here.